Karadar

Miz

 



Classical Composers

Deutscher Komponistenverband

MCN




IMD

Sequenza21

Gesellschaft für Musik und Ästhetik
ZKM



Experimentalstudio des SWR

Luigi Nono: "Guai ai gelidi mostri"
NDR das neue werk

Donaueschinger Musiktage

 


Schwetzinger Festspiele

Composers Biographies, MP3-and Midi-files

Deutsches Musikinformationszentrum.
Basic information on more than 10.000 music organizations and institutions in Germany. It informs about the structures and organization of musical life and the aims, activities and result of the work of the most important institutions.

The Classical Composers Database

Deutscher Komponistenverband


Music Center the Netherlands
is the resource and promotion center for the professional music world. Its mission is to propagate and enhance the position of Dutch musical life, both nationally and internationally.

International Music Institute Darmstadt

The Contemporary Classical Music Portal

Society for Music and Aesthetics

Zentrum für Kunst und Medientechnologie
As a cultural institution, the Center for Art and Media (ZKM) in Karlsruhe holds a unique position in the world. It responds to the rapid developments in information technology and today's changing social structures. Its work combines production and research, exhibitions and events, coordination and documentation.

Experimentalstudio des SWR Das EXPERIMENTALSTUDIO des SWR verfolgt den Weg der Synthese von Kunst und Technik über das Prinzip des Dialogs. Hier entstehen Kompositionen mit Elektronik in Koproduktion von Komponisten und erfahrenen Musikinformatikern und Klangregisseuren.
EXPERIMENTALSTUDIO des SWR Luigi Nono: "Guai ai gelidi mostri"

NDR das neue werk

Donaueschinger Musiktage The Donaueschingen Festival was founded in 1921 under the princely protection of the House of Fürstenberg. It is today the oldest and most traditional Festival for new music in the world and is generally regarded as the prototype for festivals in specialized fields of culture.

Schwetzinger SWR Festspiele "To rediscover the old, initiate the new, provide opportunities for the young" – this has been the artistic credo ever since 1952. On the one hand, forgotten or little-known 18th-century works are performed, sometimes for the first time in a contemporary production; examples are Henry Purcell’s ballet opera "The Fairy Queen" or Alessandro Scarlatti’s "Telemaco". On the other hand, contemporary art is propagated.